Showing posts with label trumpet. Show all posts
Showing posts with label trumpet. Show all posts

Monday, October 14, 2019

Grade Five, then what?.

Grade Five - then what?


When a student passes the landmark of Grade 5 we thought it would be a good time to offer them the experience being a soloist. This was the thinking behind a phone call I made to Alan Ridout. He was a man who loved to write for actual performances, and spent a lot of time encouraging musical youngsters.
The result of a long and riotous conversation, which puzzled the people in my office at the time, was a delicious series of Concertinos. Each piece could be played with piano, but was also scored for strings, so that the player could have a first taste of performing with a small orchestra (or string quartet.)
Once he had started he kept going, completing Concertinos for:

Flute
Oboe
Cor Anglais
Clarinet
Saxophone
Bassoon
Horn
Trumpet
Flugel Horn
Trombone
Tuba
Bassoon

Several of these have been on exam syllabuses over the years, but not everybody is aware that there are string parts available for performance. If you have a student who would benefit from a bit of stage experience, please give them this opportunity.




Thursday, January 18, 2018


MY DREAM OF CHANGE
Can anyone help to make this reality?


Dr Sokol Saraci, Professor of Trumpet, University of the Arts, Tirana, Albania


 As a professional trumpet player I would describe the brass (especially trumpet) situation in Albania as follows:
The Albanian brass school has shown good progress, after enduring a poor and isolated political and economic history in Albania during the 1990s. Looking back, I can remember how hard it was for us. After graduating we had to build step by step a professional background, seeking out information that could help to make us well educated, so we could feel comfortable facing the world.
Contact with Western musical traditions and expanding our knowledge and exchanging artistic experiences with our American colleagues developed a complete different level in the Albanian brass school. It also gave professional players access to quality pedagogical sources, so of course most things are definitely getting better.
However, as a professional player, and professor and teaching every day in the University of Arts in Albania, I am concerned about many unresolved issues, in particular the diversity of trumpets. All Albanian trumpet players - orchestral performers, professionals and students - only have a Bb trumpet. This creates not only difficulties in performing original orchestrations in various music styles, but it also makes gives us huge problems with transpositions. However at present funds are not available for these additional instruments.
My desire is to create a real trumpet laboratory in the University to give the students the chance to play all types of instruments:  flugelhorn, cornet, trumpets in C, D and Eb, natural trumpet and piccolo trumpet. It would be amazing for them to feel all those sounds and to have the possibility to discover all the tone colours of each instrument, to experience a wide trumpet repertoire, and raise their playing to another level.
Being a teacher and guide to my students has always been my dream, and that is what I hope for the future – to open a new window for the next generation.. I will always search for improvement, which means sometimes dreaming of a different reality. As the great Richard Wagner said: ‘Imagination creates Reality’.
Dr. Sokol Saraci
Professor of Trumpet, University of the Arts, Tirana, Albania 2018
        
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Sokol Saraci is professor of trumpet and director of the chamber music and wind instrument department in the University of Arts in Albania. His education started with a degree from the University of Tirana and continued with a master’s degree from the University of Tetovo, Macedonia. After that he won a Fulbright Scholarship to the Truman State University in Missouri USA. On returning to Albania he gained a PhD with his research into wind orchestras in Albania. His publication Trumpet and the Trumpet Player is a guide to daily practice. He is well known as a successful teacher, bringing inspiration, brightness and wisdom to his trumpet classes.
He has been principal trumpet in the National Opera in Tirana for many years. He also plays chamber music and appears as a concerto soloist in Albania and around Europe.

Tuesday, November 1, 2011

Emerson Edition Ltd - New Publications - October 2011

Unaccompanied Flute
Jazzarhythms
Paul Lewis

E627 £5.50 Grade 6/7 Duration 8’40”
Four new jazzy solos for flute: Teatime Jazz, Birthday Blues, Dotted Waltz and Midnight Rag.
ISMN: M-57040-810-8


Flute & Piano
Desert Winds
Michael Regan

E604 £6.50 Grade 7/8 Duration 4’00”
An interesting and challenging suite of movements depicting three types of desert wind: Harmattan, Santa Ana and Brickfielder.
ISMN: M-57040-811-5


Flute Quartet
Sprites
Geoffrey Walker

E631 £9.50 Grade 7/8 Duration 2’30”
A scherzo for flutes – a modern mystical echo of the magical worlds created by composers such as Mendelssohn and Weber.
ISMN: M-57040-809-2 score & parts


Clarinet & Piano
Brook Green Suite
Gustav Holst, arr. Russell Denwood

E602 £8.00 Grade 5 Duration c.10’00”
Originally written for the string orchestra of St Paul’s School for Girls, this charming suite works brilliantly for clarinet & piano.
ISMN: M-57040-783-5


Clarinet & Piano
Serenade
Frank Bridge, arr. Russell Denwood

E624 £6.50 Grade 5/6 Duration 2’40”
This is a gorgeous piece for clarinet and piano, adapted from the original for violin/cello, written in 1903.
ISMN: M-57040-807-8


Bassoon & Piano
Blue
Fulvio Caldini

E650 £6.00 Grade 8 Duration 4’30”
A challenging, but brilliantly written bluesy showpiece for the more advanced bassoonist.
ISMN: M-57040-813-9


Bassoon & Piano
Autumn Day & Crunch Cat!
Eve Barsham

E626 £6.00 Grade 2/3 Duration 3’30”
Two characterful and contrasting pieces for bassoon – good fun to play and enjoyable to listen to.
ISMN: M-57040-805-4


Bassoon & Piano
Walking Cimbrone
David Dubery

E639 £6.50 Grade 6/7 Duration 3’40”
A characterful concert piece, written for Graham Salvage and inspired by a stray dog encountered whilst on holiday in Italy.
ISMN:M-57040-814-6


Horn & Piano
For Leah
Arthur P. Barnes

E637 £7.50 Grade 6/7 Duration 6’00”
Written for his granddaughter’s senior year recital, this new piece by American composer, Arthur P. Barnes, makes an excellent addition to the horn-player’s repertoire.
ISMN: M-57040-815-3


Trumpet & Piano
An Excursion
Gordon Carr

E609 £9.50 Grade 8 Duration 10’00”
An exciting new work for the more advanced trumpeter – recorded by Simon Cheney on his CD, ‘An English Trumpeter’.
ISMN: M-57040-804-7


Clarinet, Bassoon & Piano
Eight Pieces Op.83, Volumes 1 & 2
Max Bruch, arr. Russell Denwood
Vol.1: E622 Vol.2: E623
£15.00 each Grade 8 Duration 15’30” & 17’30”
An excellent arrangement of this wonderful set of Romantic chamber pieces. A new corrected edition of the original (for clarinet, viola & piano) is also published by Emerson Edition.

Vol.1 ISMN: M-57040-800-9 score & parts
Vol.2 ISMN: M-57040-801-6 score & parts


Wind Quintet
Five Madrigals
Henk Kox

E632 £22.50 Grade 8 Duration 14’30”
Not easy to play, but a witty and very effective piece in five movements: Leave the Cities, The White Cottage at the River,

Tick-Tack Ticks Walk, Malparthus is Renard’s Home & Cinq Leffes Blondes S’il Vous Plait.
ISMN: M-57040-803-0 score & parts


Wind Quintet
Six Miniature Pastorals
Frank Bridge, arr. Russell Denwood

E618 £16.50 Grade 8 Duration 11’30”
An arrangement of six of Frank Bridge’s Miniature Pastorals, originally written for piano.
ISMN: M-57040-802-3 score & parts