Showing posts with label Saxophone. Show all posts
Showing posts with label Saxophone. Show all posts

Monday, January 27, 2020

Huddersfield Saxophone Day

Seventh Annual Saxophone Day
University of Huddersfield - 8th March 2020

Image result for amy green saxophone
 
Directed by Sarah Markham, the University of Huddersfield Saxophone Day is in its seventh year. The day will focus on the saxophone from its inception to modern day. This will include talks, recitals and playing opportunities encompassing repertoire from across its history.

Composer
Charlotte Harding and saxophonist Amy Green present their lecture recital: 'Over 100 Years of Women and the Saxophone’. The lecture highlights the involvement of women on the development of the saxophone and its music. This event is supported by the Centre for Music, Culture and Identity (CMCI)

There will be opportunities to play in the Saxophone Day Orchestra, participate in workshops throughout the day, and learn about technical developments and history from industry specialists.
Tickets £20, with reductions for saxophone groups of 4 or more people, and teachers who bring 3 or more students go free. Students and children free.
 
Tickets and further information:

Monday, October 14, 2019

Grade Five, then what?.

Grade Five - then what?


When a student passes the landmark of Grade 5 we thought it would be a good time to offer them the experience being a soloist. This was the thinking behind a phone call I made to Alan Ridout. He was a man who loved to write for actual performances, and spent a lot of time encouraging musical youngsters.
The result of a long and riotous conversation, which puzzled the people in my office at the time, was a delicious series of Concertinos. Each piece could be played with piano, but was also scored for strings, so that the player could have a first taste of performing with a small orchestra (or string quartet.)
Once he had started he kept going, completing Concertinos for:

Flute
Oboe
Cor Anglais
Clarinet
Saxophone
Bassoon
Horn
Trumpet
Flugel Horn
Trombone
Tuba
Bassoon

Several of these have been on exam syllabuses over the years, but not everybody is aware that there are string parts available for performance. If you have a student who would benefit from a bit of stage experience, please give them this opportunity.




Thursday, October 25, 2018

E5 and Notaset

Do you remember Notaset?


Back in the 1970s, when we first started publishing, we used the transfer system Notaset. Each note on the transfer sheet was placed on its correct line or space and then rubbed with a pencil (or a dead biro). Each symbol stuck itself on to the manuscript paper. It took hours...
The first, and last, work that I undertook was Emerson Edition No.5 Variations on a Dorian Theme for saxophone & piano by Gordon Jacob. Dear Gordon said it looked lovely, but I knew the spacings were extremely dodgy. After that we contracted the work out to professionals. You can imagine how happy we were when Sibelius was invented.
(E5 has been professionally re-engraved since then, by the way!)
June Emerson





Fortunately the piece proved popular and has been on various examination syllabus lists over the years.

E5 Variations on a Dorian Theme - Gordon Jacob


Gordon Jacob (1895-1984)



Thursday, September 13, 2018

SAXOPHONES IN ARMENIA

Alexandr Manukyan - Professor of Saxophone
Conservatoire, Yerevan, Armenia

Alexandr (Sasha) Manukyan has been teaching at the Conservatoire in Yerevan for many years. At the moment he has 39 students, and the level of their accomplishment is astounding. The Alma Saxophone Quartet is named after the first letters of his name, and 'my boys' can be seen and heard on the following links:

Rimsky Korsakov - Flight of the Bumblebee

Bach - Italian Concerto

Thierry Escaich - Tango Virtuoso

Alexandr is often on the juries of international saxophone events, particularly the Selmer Paris Saxophone Competition. He enjoys friendships with saxophone specialists worldwide, and is always interested to hear what other people are doing. He was  particularly impressed recently with the playing of our own Young Artist Jess Gillam, seen here rehearsing for the BBC Young Musician competition last year:

Jess Gillam 2017


Alexandr Manukyan is on Facebook




Thursday, September 14, 2017

Samek Music News



by Victoria Soames Samek
(Acclaimed clarinettist and publisher)

 
In celebration of the 25th anniversary of Clarinet & Saxophone Classics, I am excited to announce that the company has expanded. To reflect this expansion we have rebranded the company.

Samek Music is now the home for Clarinet & Saxophone Classics CDs downloads and our publications to which all printed sheet music is now available through our new collaboration with June Emerson Wind Music.

In addition the company is now offering educational and musical opportunities. I will be offering lessons and mentoring, lectures and group coaching, written and spoken educational blogs, master-classes and performances.


 Samek Music is now the ultimate resource for clarinet &  saxophone players and all music enthusiasts.





Thursday, February 11, 2016

Jess Gillam's World

February 2016


“One of the best young saxophonists in the UK” 
- Snake Davis

I have had such a great month! I have mainly been preparing for my BBC Young Musician Category Final Audition next month and have also performed a concerto with the Junior RNCM Symphony Orchestra.
Jess rehearsing 'Out of the Cool' by Dave Heath
with the Junior RNCM Symphony Orchestra
On Saturday, I performed Dave Heath’s “Out of the Cool” with the Junior RNCM Symphony Orchestra at the Royal Northern College of Music Concert Hall in Manchester conducted by Juan Ortuno. As I have said in previous blogs, I absolutely love performing concertos and I find the experience truly enjoyable – there is something about standing in front of an orchestra and performing a piece with so many different colours and sounds. Having rehearsed the concerto with the orchestra considerably more than if I was performing with a professional orchestra, I felt as though I knew the orchestral parts well and I felt very involved with the music.
Being filmed for BBC Young Musician
Some of the rehearsal for the concerto performance was filmed by BBC Young Musician to use in the backstory before my performance in the Woodwind Finals. I have been spending a lot of my time over the past month preparing for the competition, which will be televised in April/May. I have had to find a balanced practice routine where I can stay energised and focused throughout the whole of the session to ensure that I don’t practice bad habits.
Jess performing with John Harle
I have had lessons with John Harle and Rob Buckland and they have both helped me to find a practice routine that is focused and beneficial! As well as filming the concerto rehearsal, the BBC also filmed one of my lessons with John Harle in Canterbury, an interview with Rob Buckland and they also came to film in Ulverston (my home town) to interview me. I have enjoyed the filming very much and I am very interested to see how it will be edited!
I will be spending the next month focusing, researching and practicing my programme for the BBC Competition!

LINKS

Follow Jess Gillam on Facebook
Follow @jessgillamsax on Twitter

Yanagisawa Saxophones UK

Vandoren UK

Thursday, January 14, 2016

Jess Gillam's World

Part 6


“Down to earth, funny and cool...what was not to like?”
– Gramophone Magazine

As the new year begins, I am looking ahead to a busy and exciting 2016 - Happy New Year to everybody! 
I spent most of December preparing for several auditions, so this is just a short blog update. December always seems to be busy with auditions for me! I find that preparing for auditions is a very similar process for preparing for a concert because my end goal is the same - to be able to give the best performance I'm capable of. When I am actually in front of a panel however, I find the experience very different to performing to an audience in a concert. I find the performance so much more intimate and this makes me more nervous in a way. I even find playing in a small concert venue extremely different. I try to forget where I am as soon as I play the opening note and I attempt to totally immerse myself in the music and focus as much as possible and this nearly always helps me.

BBC Young Musician of the Year 2016

One of my auditions in December was for BBC Young Musician of the Year 2016. In 2014, I was a woodwind finalist in the competition and the recipient of the BBC Walter Todds Bursary for showing exceptional promise. I am delighted to have reached the Woodwind Category Finals again and I will be one of five woodwind finalists competing at the Royal Welsh College of Music in Drama in Cardiff. The competition takes place in early March so the coming months will be spent preparing and practising my programme as much as possible. I will also search the repertoire and find out as much as I can about its origins to help me to put the music into context.

'Out of the Cool' by Dave Heath

I am also preparing to perform "Out of the Cool" by Dave Heath with the Junior Royal Northern College of Music Symphony Orchestra in early February so this means that lots of music is stuck on my bedroom wall to be memorised - I will let you know how it goes in my February blog!

LINKS

Follow Jess Gillam on Facebook
Follow @jessgillamsax on Twitter

Yanagisawa Saxophones UK

Vandoren UK

Thursday, December 3, 2015

Jess Gillam's World

Part 5


“The sound of the future”
– Melvyn Bragg

What a month November has been - I have had some unforgettable experiences and have enjoyed myself very much.
At the beginning of the month, I performed at the first ever Cumbria Culture Awards at the Theatre by the Lake in Keswick. Melvyn Bragg presented the event as he is a cultural icon who is originally from Cumbria. There were varied performances throughout the evening, both musical and spoken word. I performed ‘The Sky’s the Limit’ by Barbara Thompson; the piece she wrote for me to premiere at the World Saxophone Congress. I also performed one of my own compositions. The piece is inspired by a poem entitled ‘Night’ by John Ruskin – an artist, philanthropist and author who spent much of his life at Brantwood (Coniston), just 10 miles from where I live in Ulverston. The piece is written for alto saxophone and live narrator, and at this event I performed it with a backing track. I am currently working on orchestrating the piece which is a very interesting task! 

Jess performing her composition 'Night' with narrator Ross Baxter

While I performed the piece, I had a watercolour by Ruskin projected onto the screen behind me. I wanted to compose a piece that somehow connects with where I live and where I come from. I am very interested in incorporating and appreciating other art forms and in trying to add extra dimensions to the music and this piece allowed me to do that!
After my performance, Melvyn Bragg said that he felt like he had 'heard the sound of the future'! The Theatre by the Lake was a fantastic venue and perfect for the ceremony. There was a wide range of categories for awards right across the arts – from music to pottery and literature to Arts Venues. I was the youngest of five finalists in the Musician of the Year Category and I am very pleased to say that I won the Award – I was very surprised!

Jess receiving her award from Melvyn Bragg

The night after the awards ceremony, I had organised a concert with John Harle, one of the world’s most distinguished saxophonists. This was a concert I had been looking forward to for quite some time and I am still smiling remembering John’s performance! The reason I am inspired by the playing of John Harle is because he conveys such a huge amount of personality. He can mould the saxophone into his own voice and is unbelievably individual. In Ulverston, he performed a wide range of repertoire from Poulenc to Ellington and Bartok to Phil Woods but every single note he played was instantly recognisable as him!  His stage presence and the way in which he completely commanded the stage (and the room) meant that the audience was utterly captivated.

Jess onstage with John Harle

I performed a support slot before John performed with Steve Lodder and I played the pieces I had commissioned for the World Saxophone Congress – ‘Sopranicity’ by Rob Buckland and ‘The Sky’s the Limit’ by Barbara Thompson as well as my own composition. Then, as an encore, I joined John Harle and Steve Lodder onstage to perform ‘Berlin Tango’. John wrote this piece for the film about the life of Lucian Freud and we performed it with 2 soprano saxes, backing track and piano. I really cannot describe the feeling of performing next to John! It was bursting with energy and felt really quite surreal.
I am very glad that John was able to come and perform in Ulverston; I have wanted him to be a part of my concert series for quite some time and the audience here thought his performance was stunning!
I am now preparing for a busy month in December and looking forward my performances over the festive period. I wish everybody reading this a very Happy Christmas! 

LINKS

Follow Jess Gillam on Facebook
Follow @jessgillamsax on Twitter

Yanagisawa Saxophones UK

Vandoren UK

Thursday, October 8, 2015

Jess Gillam's World

Part 3


“Stage animal”
– BBC Young Musician 2014

This weekend, I have spent two days filming a music video for “The Sky’s the Limit”, a piece written for me by renowned saxophonist and composer Barbara Thompson.  Barbara and her husband, Jon Hiseman, came up to the Lake District for three days with Asue Azar to film me playing the piece in various locations with stunning scenery.
“The Sky’s the Limit” was written for me to perform at the World Saxophone Congress in July and is a piece for alto saxophone, piano and strings. Barbara says, “It leads the saxophone into groundbreaking areas while retaining melodic and rhythmical elements. The saxophone is a very exciting instrument to write for because it has so many variations of tone and colour and the player can make his or her sound unique. It is a real treat to write a piece for such a talented young 17-year-old saxophonist, and I hope this will be the first of many collaborations”.
Jess with Barbara Thompson
Filming the video was a very interesting experience and I enjoyed learning about how this world works and it also gave me a chance to appreciate the natural beauty of where I come from. However, I was a little nervous playing on the top of a crag looking over Windermere – I wasn’t expecting an audience and people were gathering round to see what was happening! The sound in open air just did not travel no matter how much I attempted to project and make the sound sing. I began playing saxophone when I was 7 in the Barracudas carnival band so I am quite used to playing on the streets but this was quite different – no PA and no buildings for the sound to bounce off meant I could only produce a very dead sound. This meant I had to think about all other elements of playing a piece of music a lot more because I knew there wasn’t very much I could do about the sound projection so I considered rhythmic accuracy, dynamic control, vibrato control and articulation in a much more meticulous way than I usually do but the performance was not comparable to one indoors where all of these elements can be projected!

Jess playing to the elements!
We also filmed at Birkrigg Common, very close to where I live. Jon asked me to stand on the trig point and this was quite a scary place to perform the piece – I am very clumsy at the best of times and playing without being able to move took a lot of concentration! 
Working with Barbara and Jon has been a truly inspirational experience – they are both so dedicated and passionate about what they do and really live and breathe music. They have both had very successful and varied careers and listening to their anecdotes and stories about gigs and the lengths they used to have to go to even just to record music is fascinating! Barbara has inspired me with her music since I was 12 years old and to now be working with her is quite a surreal experience! 8 years ago, Barbara was diagnosed with Parkinson’s Disease and the way she continues, still composing and creating music, is quite unbelievable.
Jess at Windermere
Jon is now editing the video and it will be released on YouTube once the editing and recording has been completed.
I have also spent a lot of time this month practicing the Malcolm Arnold Saxophone Concerto as I will be performing it with the Worthing Symphony Orchestra in October at the Malcolm Arnold Festival in Northampton and at the Worthing Assembly Hall. Preparing a concerto is something I really enjoy and trying to connect information about a composer with the themes and moods in their music is fascinating and I am really looking forward to performing the piece.


LINKS

Worthing Symphony Orchestra
Sunday 11th & Sunday 18th October @ 2.45pm

Malcolm Arnold Festival

John Harle Concert - Friday 13th November @ 7.30pm
Follow Jess Gillam on Facebook
Follow @jessgillamsax on Twitter

Yanagisawa Saxophones UK

Vandoren UK

Monday, September 28, 2015

Birmingham Saxophone Day


Sunday 18th October 2015

9.30am to 6.30pm

at Birmingham Conservatoire


The ever evolving Saxophone Department at Birmingham Conservatoire is one of the most vibrant and creative in the UK.

We throw open our doors and invite saxophone students, teachers and enthusiasts to take part in workshops, improvisation classes, ensemble coaching, quartet side-by-side sessions and much more.


Improve your ensemble skills, learn rehearsal techniques, pick up playing tips, check out new gear and discover new music, sharing the pleasure of playing the saxophone with like-minded enthusiasts. The day is open to saxophonists of all abilities, however an approximate level of grade 3 and above is advisable to get the most out of the day.

Your saxophone experts for the day will be the Conservatoire's Saxophone Department head, Naomi Sullivan alongside Conservatoire tutors Andy Tweed and Anna Brooks.

Special guest is Kyle Horch, visiting saxophone consultant, who will present a lunchtime performance with his critically acclaimed ensemble, Flotilla.

There will also be a good selection of trade stands at the event, including June Emerson Wind Music. We'll be taking all our saxophone music and books (approx. 48 boxes!) for you to browse through and buy. Card and cash payments accepted on the day.

Price:

£20 (£15 CASS members/U18)
Book HERE

Birmingham Conservatoire

Thursday, September 24, 2015

Launchpad Prize Winner's Profile No.4: Hestia Saxophone Quartet

THE PLAYERS

Lucinda Dunne - soprano sax

Alžbeta Klásova - alto sax

Hannah Washer - tenor sax

Claire Shaw - baritone sax



BIOGRAPHY

Hestia Saxophone Quartet formed at the Royal College of Music in September 2013 and comprises of undergraduate students from the UK and Slovakia. The ensemble rehearses and performs together on a regular basis and is coached by Kyle Horch.
Enjoying a diverse range of music, Hestia have already given a variety of performances from a masterclass taken by saxophonists Frank Timpe and Nacho Gascon, to several concerts held at venues including the Royal College of Music’s Recital Hall, Regent's Hall Piccadilly, Holy Innocents Church, London and BAFTA. The group recently won the June Emerson Wind Music Launchpad Prize 2015 at the RCM Woodwind Ensemble Competition and is looking forward to performing as part of a Chamber Essentials concert at the RCM.

Lucinda Dunne previously studied at Chetham's School of Music and has performed with orchestras such as National Youth Orchestra of Great Britain and Piccadilly Symphony Orchestra in notable venues including The Sage Gateshead and Royal Festival Hall.

Alžbeta Klásova is a graduate of the Košice Conservatoire (Slovakia), and is currently an RCM Foundation Scholar supported by a Dr Michael West Award.

Hannah Washer studies alongside her fellow quartet members at the Royal College of Music under the tuition of Kyle Horch. She is also currently principle saxophonist with the National Youth Wind Orchestra of Wales which has seen her perform world premieres and take part in international tours.

Claire Shaw is a second year undergraduate student at the RCM and is currently enjoying her studies with Martin Robertson, as well as ensemble coaching from Kyle Horch.

Email:
hestiasax@gmail.com

June Emerson Wind Music would like to thank Simon Channing for organising the 
awarding of the Launchpad Prize at the Royal College of Music.


LINKS

Royal College of Music
www.rcm.ac.uk